📄 仓库 README
在 GitHub 查看 ↗
Turn an idea into a directed video prompt. Seedance 2.0 Skill OS is an agent skill for planning shots, binding references and continuing from an accepted clip. Your video provider handles generation and its costs.
Watch the clips · Try a first prompt · Install · Choose a workflow · Evidence status
v6.7.0 · MIT · Changelog · Emily / Iamemily2050
Languages: English (this page) · 中文 · 日本語 · 한국어 · Español · Русский
Five-minute quickstarts: English · 中文 · 日本語 · 한국어 · Español · Русский
Seen, not told
Seven scenes, seven prompts, five languages. Each is a complete fifteen-second story: the situation legible by shot two, a reversal, and a hold on whoever lost, cut like short drama in four or five shots. Each clip is generated on Seedance 2.0 from the exact prompt beneath it: text to video, no reference assets, one take, no post work. Above each prompt sits the kind of brief people usually type, so the difference is visible before it is explained. Every prompt went through the moderation pre-screen before publication, because a classifier refuses words, not intent, and every prompt is directed for the model: one action per shot while everyone else keeps living, reactions written as a feeling plus one physical anchor, prop work written as a hand, and a lock line closing every shot that restates the light, the people and where they stand, because the model keeps nothing across a cut that the prompt does not repeat. Each prompt was rendered from a shot table that is published beside it, so the geometry can be checked on paper before a take is paid for. Where a clip has not been rendered yet, its slate stands in its place.
 |
 |
 |
 |
 |
 |
 |
Clip 01: By appointment only
English · 15 s · 16:9 · storyboard · slate: not rendered yet · ladder: Stretch: 4.5 beats (one insert at half), load 3, S = 2.0
What people usually type: rich woman disguised as poor gets humiliated at luxury store, plot twist, satisfying, cinematic, 4k
What you know by shot two: Shot one is a soaked woman in work clothes stopped inside a boutique door by a voice that says appointment only; shot three is a phone call that says the new owner is standing in the shop.
The prompt the skill wrote
> Shot 1. Wide shot from the back of a hushed luxury boutique looking toward the glass front > door, on a rainy afternoon: cream carpet, glass shelves of shoes along the left wall, the > counter on the right with two assistants in black behind it, one folding tissue paper, one > glancing up at the door. A woman pushes the glass door open, steps inside dripping, and stops > on the mat, water running off her sleeves. From just off frame right, by the counter, the > manager's voice, polite and thin: "We're by appointment only, ma'am." She turns her head > toward the voice, calm, almost amused, and says nothing. Light: soft grey daylight from the > front window, warm spotlights on the shelves. The woman: thirties, dark hair tied back, white > overalls stained with paint, tan work boots, standing just inside the door, facing into the > shop. Camera at the back of the shop, facing the door. > > Shot 2. Cut to a medium shot from the counter side: she walks across the carpet to the white > display chaise in the middle of the shop, sits down on it facing the counter, crosses one > muddy boot over the other, and looks slowly along the shelves, unhurried. Behind her the two > assistants exchange a glance. Same light: soft grey daylight from the front window, warm > spotlights on the shelves. The woman: thirties, dark hair tied back, white overalls stained > with paint, tan work boots, seated on the white chaise in the middle of the shop, facing the > counter. Camera on the counter side. > > Shot 3. Cut to a close shot of the manager from the chaise side, standing by the counter, a > phone at his ear, listening. Embarrassed, the polite smile fades and he swallows; then he says > quietly: "Yes, sir. The new owner is... standing in the shop now." His eyes go past the camera > to her, off frame, and stay there. Same light: soft grey daylight from the front window, warm > spotlights on the shelves. The manager: fifties, grey suit, steel-rimmed glasses, standing by > the counter, facing the chaise. Camera on the chaise side. > > Shot 4. Cut to a two-shot from behind the chaise, her shoulder in the foreground, the manager > by the counter and the wall of shoes beyond him: she lifts one arm and points at a single pair > of shoes on the wall; he walks from the counter to the wall and lifts that pair down with both > hands, careful now. Same light: soft grey daylight from the front window, warm spotlights on > the shelves. The woman: thirties, dark hair tied back, white overalls stained with paint, tan > work boots, seated on the chaise, facing the counter. The manager: fifties, grey suit, > steel-rimmed glasses, walking from the counter to the wall of shoes. Camera behind the chaise. > > Shot 5. Cut to a close insert of the cream carpet: a trail of wet bootprints from the door to > the chaise, rain running down the glass door behind. Hold on the bootprints. Same light: soft > grey daylight from the front window. Camera low over the carpet, facing the door. > > Sound: rain on the glass door, her boots on the carpet, the murmur of the phone line, his > voice dropping; no music, no subtitles.The shot table the prompt was rendered from
*Floor plan:* A boutique: the glass front door at one end, the counter along the right wall, the wall of shoes opposite the door, the white chaise in the middle. The manager starts by the counter; the assistants behind it. Grey daylight from the front window, warm spots on the shelves. | Shot | Camera | In frame | Eye-line | Action | Others | Light | Last frame | |---|---|---|---|---|---|---|---| | 1 | Back of the shop toward the front door; wide | Woman inside the door, facing in; two assistants behind the counter, right; manager off frame right | She turns her head to the voice on the right | She pushes the door open, steps in, stops on the mat; the manager's line from off frame; calm, almost amused, she says nothing | Assistants fold tissue paper, glance up | Grey daylight from the front window, warm spots on the shelves | Her on the mat, the door behind her | | 2 | Counter side; medium | Woman crossing to the chaise, sitting on it facing the counter; assistants behind her | Along the shelves | Walks to the chaise, sits, crosses one muddy boot over the other, looks slowly along the shelves | Assistants exchange a glance | Same daylight and spots | Her on the chaise, boots crossed | | 3 | Chaise side; close | Manager by the counter, facing the chaise | Past the lens to her, off frame | Embarrassed: the polite smile fades, he swallows; the phone line, quiet; his eyes go to her and stay | None in frame | Same | His face, eyes on her | | 4 | Behind the chaise; two-shot | Her shoulder in the foreground facing the counter; manager walking from the counter to the wall of shoes | Hers to the wall; his to the shoes | She points at one pair; he walks to the wall and lifts it down with both hands, careful now | Assistants s📈 近 7 天 Star 趋势
🏆 排名变化趋势
📋 历史上榜记录
| 日期 | 榜单 | 排名 | 周期新增 | 总 STAR |
|---|